![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
I have been going back through my AO3 history, trying to pull out the all-time favorite fics I want to be able to go back to easily, and it’s occurring to me that a disproportionate number are in fandoms where I don’t know the canon (some of them are one of the only stories I’ve read in that fandom.)
Which got me curious: What makes a fanfic a good story for someone who doesn’t know the fandom it’s in?
Of course there are different reasons why you might be recommending a story to someone who doesn’t know the canon - maybe they just want good fanfic and they’ve said they’re fine with reading outside their fandoms; maybe you are trying to lure them into the fandom; maybe they are just starting on the canon and want stories that won’t spoil them but will draw them in. And each of those (and every individual) would have different needs.
But I feel like maybe we can tease out certain things that are often good.
For example, I often see people recommending complete/setting-swap AUs (where almost nothing is the same except the characters) in this situation - I guess on the idea that since they don’t have much to do with canon, they don’t need as much canon knowledge. But as a reader, lately I’ve often found them particularly bad starting points when I don’t know canon, because a good setting-swap AU often does rely heavily on the reader knowing at least the characters: part of the pleasure is seeing that minor character slotted into a role you never would have guessed, but is perfect; or seeing what they’re going to do with that one plot point in the new setting; or trusting that something that seems bad is going to come out a certain way because that’s how it is in canon. And so a lot of the story relies on the reader already knowing canon, and a lot of the pleasure isn’t there if they don’t. These can be really good for people who are already basically familiar with the characters but want to avoid major spoilers, though.
On the other hand, a lot of the stories I’ve loved without knowing the fandom (or that served to pull me into a new fandom) are canon-divergence AUs, especially ones where the divergence is before canon started (characters are starting from different places, or that One Thing That Happened happened differently, or somebody was secretly an elf all along, or things like that.) You’d think these are also very reliant on the reader knowing the original canon, but often the author is at pains to work out in detail why certain things happen in certain ways as a result of their divergence, so they do a good job at introducing things and characters one at a time and explaining why things are happening.
On the gripping hand, fix-it canon divergence AUs tend to start with the premise that the reader already knows what needs fixing and agrees that it should be fixed, so they tend not to work as well either.
Some other things that I think tend to be more likely to work for readers outside the fandom include:
- Extremely formulaic tropes - being a fan of the formula can carry you past not knowing things
- Complete AUs that have become standard within the fandom - for example, if so much of the fandom is modern/mundane AUs that nobody tags it anymore - because that’s often fandom writing to itself rather than to canon, and it’s not generally about being clever within the AU the way stand-alone setting swaps are.
- Longfic in juggernaut pairings - anything that hits a certain level of popularity probably has a lot of generically appealing characteristics, and also after a certain point, fandom is often writing to itself rather than writing to canon here too. (A2G fic is the sweet spot of these three.)
- Crossovers of the kind where two groups of characters from different canons meet up - they tend to be designed so that people who only know one fandom can follow them, and they tend to involve a lot of characters explaining their canons to each other.
- Good casefic in the canon style tends to not be super-dependent on a lot of canon knowledge any more than stand-along canon cases are, and a well-done self-contained plot can carry a lack of character knowledge.
Can anyone think of good examples or counterexamples? Or other ideas of things that might make something better or worse as a don't-need-canon fic?
no subject
Date: 2019-03-24 03:04 am (UTC)a) It was a crossover, and I knew one of the fandoms but not the other. (This was like two? Maybe three?)
b) It was a friend's - and they asked me to read it. (That was like once or twice?)
c) I was betaing the fic. (Handful of fics here.)
d) I was checking the fic as part of Yuletide volunteer duties - to make sure it was complete, didn't have filler text, missing bits like {CHARACTER NAME}, etc.. (OK, I've had to read hundreds and hundreds for that over the years - but most of the time I'm skimming, only slowing to real reading if the fic somehow catches my eye - for good or for bad, lol. Scrutinizing a fic to tell if the author actually finished it or if they were trying to get away with something that was over minimum wordcount and add the rest of the words later… it's not at all the same thing as reading for fun, but requires similar levels of brainpower and absorption of the fic in one's mind.)
On my own, I never go to a fandom and go "oh, let's read this fic even though I know nothing about it". I marvel at the people who do - my brain clearly works very differently to theirs!